Jonn Gale and Shireen McCormack explore auto-ethnography as a radical method, its importance in de-colonial practices, and their shared interest in archives as a mode to discover the unseen and marginalised.

Folu Odimayo examines a range of methods used by choreographers to explore the concept of embodiment in dance and movement practice, and how this spatial practice relates to sculpture making.

Juliet Jacques discusses the unorthodox methods required to write radical histories of the marginalised and the role of creative writing in connecting audiences with the past. ⁠