Have recent shifts in thought toward understanding art in circulation lived up to the radical potential of reconceptualising the site of the gallery as just a node in the network of distribution? Or has the gallery actually been reaffirmed by the Internet as contemporary art’s primary site of spectatorship, now with its marketing reach simply extended through the proliferation of its documentation? What’s at stake in the increasing dominance of these distribution formats and could art’s very ontology be transformed? Join artists Ed Fornieles, Artie Vierkant and Christopher Kulendran Thomas in a roundtable discussion introduced by Annika Kuhlmann on the potentials and limitations of art’s exhibition infrastructure.