This was her first institutional solo performance and marked the beginning of her professional artistic career.
This session explored East Asian feminist thought that remains largely unavailable to English-speaking audiences.
Global Talent Immigration Performance is a three-year durational work grounded in Aksu’s lived experience of the UK Global Talent visa.
A performance and workshop exploring Māori-informed practices in addiction recovery–engaged arts, with Chris Ranui-Molloy and Leon Clowes.
A participatory performance and discussion by Carmen Hutchins offers a glimpse into the constant, rolling landscape of living with seizures.
Sunset Seduction by Charles de Agustin centres on a 45-minute film presented alongside site-specific contracts and discussions. Together, these elements aim to materialise the responsibilities of cultural workers in the global north.
Tawfik and Kumbirai explore the foundations of their collaborative research, culminating in a cosmic, quantum-mechanical review of frameworks.
Ariel Collier explores the creation of heartfelt and inclusive spaces through a presentation and group discussion.
Vanessa Farinha shares and expands upon their research into the legacy and future of social housing in the UK.
Poets D Mortimer and Hesse K delve into Simone Weil and the (mad) poetics of attention.
Artists Raheel Khan, Mehmil Nadeem and Harmeet Rahal present their ongoing research on the dissonant mechanics of migration, oral histories, and songs of resistance.
In Lucid Dreams We Dance, Sara Sassanelli and Eduard Solaz explore the evolving landscape of sound practices and sonic experimentation in London.