In Lucid Dreams We Dance, Sara Sassanelli and Eduard Solaz explore the evolving landscape of sound practices and sonic experimentation in London.

Actor, writer, and creative facilitator Zakiyyah Deen examins the intersection of inner-city, working-class backgrounds and creative practice.

Curator Helen Starr and Artist Sarah al-Sarraj discuss how Global Majority artists are reclaiming narratives and creating alternate realms that challenge oppressive systems.

Aliaskar Abarkas shares his experiences with alternative education programmes and how these learning environments have shaped his artistic practice.

Artists Nina Davies and Richard Pye discuss using fiction as a methodology for research and explore how the freedom of fictional futures can regain autonomy over physical practices.

Romance FC founder Trisha Lewis discusses how visual practices are interwoven into her experience of and love for football.

Jonn Gale and Shireen McCormack explore auto-ethnography as a radical method, its importance in de-colonial practices, and their shared interest in archives as a mode to discover the unseen and marginalised.

Folu Odimayo examines a range of methods used by choreographers to explore the concept of embodiment in dance and movement practice, and how this spatial practice relates to sculpture making.

Juliet Jacques discusses the unorthodox methods required to write radical histories of the marginalised and the role of creative writing in connecting audiences with the past. ⁠