Is the site of the exhibition or cinema crucial to the scale of a production i.e. its value and impact? What are the rules and transgressions in such a space, and is the benefit of working in ‘artist’ moving image simply a greater sense of autonomy/experimentation compared to TV or cinema? How can artists successfully transfer to such a popular audience without falling into the trappings of auteur conservatism or studio system politics?
Join David Panos and Matthew Noel-Tod for a discussion/screening around scale and distribution for film and video, presenting rough cuts of their own work and others.